主要包括一个在Magazine Pocket的长访谈
还有在纽约漫展上、一个节目上的一些小访谈

跑Online丶：只求露西星灵衣更多战斗的镜头 发布于 2018-08-24 00:57:53

_滅龍魔導士：最终话很满意 我c 一拳秒boss 我们都不满意啊 吔屎吧你 发布于 2018-08-24 00:34:23

尐の儍苽：第一p的后半部分太多了，最近也没时间弄，就搬(shui)一些短的好了 0回复惨案预定 发布于 2018-08-23 23:36:28

尐の儍苽：关于老马没有死(又双叒叕吐便当)
我看了整本漫画，很惊讶马卡洛夫没死
真岛:没错(笑) 不知道有多少次让人以为他要GG了。不论flag多明显，粉丝都知道“他一定会活下来”
另外，在62卷编后记中，他提到之前让老马用法律的时候，已经打算让他死透的，但画到初代和杰萌萌的结局时，他改变主意了。





发布于 2018-08-23 23:36:23

尐の儍苽：关于夏有没有成为S级
-(真岛)老师，有件事一直很好奇
看了最终话的最后一幕(百年任务)，夏最后成为S级魔导士了嘛？
真岛:没有
-那也就是说未得到允许?
真岛:他有提前申请，但S级是另一回事





发布于 2018-08-23 23:35:43

__新子__：感谢搬运和翻译 发布于 2018-08-23 14:54:18

__新子__：两天画画，五天打游戏……大佬就是大佬 发布于 2018-08-23 14:54:13

尐の儍苽：按Y神说的
新作至少要等到明年

发布于 2018-08-23 14:50:28

学到老二到老：有没有谈到新作（*＾3＾） 发布于 2018-08-23 14:48:58

尐の儍苽：这些访谈都有一段时间了 干货也不多 发布于 2018-08-23 14:46:13

尐の儍苽：个人翻译 水平有限 有错欢迎指出 发布于 2018-08-23 14:01:13

尐の儍苽：·关于最终话
最终话的分镜是怎么构思的？
Z:在我开完最后一次会不久后就完成了
这（分镜）没有被否决吗？
Z:某种意义上（笑）
（编辑）：初稿就过了
你画完分镜时是怎么想的？
Z;我不清楚读者的感想，但我个人对最终话是满意的。我不打算去画那些感人或是太文学化的东西，只是要把“FT”淋漓尽致地展现出来。希望读者会喜欢这个结局。
（所以） 你着眼于你认为比较“FT”的东西？
Z:是这样 我知道粉丝对于什么是“FT”有自己的理解 但还是在最终话画了我个人所理解的“FT”
从06年到17年，漫画已经连载了11年。
Z:我一开始并没有打算画那么长
连载开始你是29岁，现在你40了，可以说你把这十年多都贡献给FT了
Z:这也是我最胖的时候（？？？一周两天画漫画、五天玩游戏），但我真的很享受画画。
有没有什么（想画）没能画出来的？
Z:没有。我在原稿上把要画都放上去了，这点我很满意
这是11年来头一次周刊少年马格金没有刊载FT。
Z:是啊，FT连载从没断过，所以自然而然会想着等新一话刊载。
第一次达到500话
这样看花了很长时间啊（笑）你加入编辑部的时候就在连载了吗？
Z:我9年前加入编辑部，那时候已经开始连载了，是乐园之塔章。有20多个员工和我一起工作，几乎所有周刊少年马格金的员工都是在FT开始连载之后进入公司的。
难以置信，周刊少年马格金的编辑部还挺年轻？
开始连载到现在，（各种方面）有什么变化吗？
Z:我的身体还是健康的，但体力不如以前修仙的时候了。不过精力没降，倒不如说更充沛了。
和画分镜比，画原稿会不会更让你觉得体力的变化明显
Z:对我来说，分镜与其说是消耗体力，倒不如说是精力的结晶，所以我总是在精力max的时候画。我这些年积累的技巧和经验也对画分镜有很大帮助。
那原稿呢？
Z:（原稿）不单单是体力的事。我画稿的数量逐年增加，也很耗费时间，但我不希望原稿质量下降，所以我一直用更多的时间在场景上。
因为你想在每一话给读者最好的（创作）。
·关于夏
即使完结了，我也不觉得漫画家会变老，这是一部经典的少年漫
大概是我想一直致力少年漫的原因吧
在故事中活跃的夏
Z:他是一个单细胞、直率的人，没必要让他跟成人漫里的角色一样。从头到尾，夏还是夏。
但他也确实成长了
Z:当然，不过对那些很有“夏风格”的事，还是那样。在我看来，这点很有“少年漫”的味道。
在印象里，第一话中，夏为了救露西没有打架（？没懂这个问题）
Z:夏对波拉谎称自己是FT成员的事很火大，但他在对战最后救了露西。
他不是那种帮助需要帮助的人的主角，你用你的方式展现了他所重视的东西，即使他因为露西遇险出手帮忙。
Z:这就是我在第一话画的所有东西（笑）
关于夏还有什么要说的?
Z:有一些小事...夏没有任何内心独白，是那种把想的全付诸行动的类型。所以，我没有什么有关他的重要的要讲。 发布于 2018-08-23 14:00:58

基佬的悠桑：果然是这个大佬 发布于 2018-08-23 13:24:43

尐の儍苽：这1P主要就是谈了下关于最终章、夏、露西的事儿
这几天我有空会渣翻译 就先到这 发布于 2018-08-23 11:59:23

尐の儍苽：Part 1
On the final chapter
How’s the storyboard for the final chaptercoming along?
I finished my final meeting a short whileago and the chapter is complete.
It wasn’t rejected?
Somehow or other. (laugh)
Editor: It was OK the first round!
What are your thoughts about finishing thestoryboard?
I don’t know how the readers feel about ituntil I get to hear from them, but I am personally satisfied with how I drewthe final chapter. I didn’t aim for something touching or literary, but rathershowed “FT-ness” or what’s “FT-ish” to the maximum. I hope the ending satisfiesthe readers.
You gave priority to what you regard as“FT-ish”?
Right. I think the fans all have their ownopinion of what’s “FT-ish”. However, I drew all that I felt was “FT-ish” in thefinal chapter.
Serialization of the manga began in issue35 in 2006, and ended in issue 34 in 2017. It’s exactly 11 years.
I didn’t intend for it to be so long.
You were 29 when the serialization began,and you’re 40 now. You devoted the whole of your 30s to FT.
It’s the period where I gain the mostweight. However, I was able to draw the manga. I’m completely satisfied.
Is there anything that you didn’t manageto draw?
Nothing at all. I managed to draweverything that I wanted to in the manuscript and it’s something I’m thankfulabout.
It’s out for the first time in 11 years.An issue of Weekly Shonen Magazine without Fairy Tail.
Now that you mention it, that’s right. Theseries had never been a break during serialization, and I guess it has becomenatural to expect a new chapter.
For the first time in about 500 volumes.
It’s a very long time if you put it thatway (laugh). Was it in serialization when you join the editorial department?
I joined the company 9 years ago, and themanga was already in serialization. It was at the “Tower of Heaven” arc. I hadmore than 20 staff working under me, and almost all the staff working forWeekly Shonen Magazine joined the company after Fairy Tail had begun itsserialization.
That’s unbelievable. Isn’t the editorialdepartment of Weekly Shonen Magazine too young? (laugh)
Have there been any changes from the timethe manga began its serialization till now?
My body is still healthy, but my staminahas dropped. It’s a little different from the time when I was alright evenafter pulling an all-nighter. However, my energy hasn’t declined. It’s beensurging instead.
Do you feel the difference in your staminamore when you’re working on the manuscript as compared to the storyboard?
In my case, the storyboard is more of aproduct of energy rather than stamina. I always work on it when I’m at maximumenergy. The techniques and intuition that I’ve developed over the years havealso helped me when it comes to working on the storyboard.
What about the manuscript?
It’s not purely an issue with stamina. Thedensity of my drawings have been going up year by year, and it has become timeconsuming. I don’t want the quality of the manuscript to decrease once it hasgone up, and thus I’ve been spending more time on the scenes.
It’s a problem that arises because youwant to give your best with every chapter.
On Natsu
I don’t feel that the author’s age hasgone up even as the manga ends. It’s a classic shonen manga.
It might be because I want to cling on toshonen manga forever. (laugh)
Natsu had a prominent presence.
He’s a simple and straightforwardprotagonist, and there’s no need to make him like a character in an adult-likemanga. Natsu was Natsu from the start till the end.
But he grew.
Of course. However, he never changed whenit comes to things that are “Natsu-like”. To me, that might be what makes it“shonen manga-ish”.
My impression of the first chapter is thatNatsu didn’t fight because he wanted to rescue Lucy.
Natsu was mad that Bora lied that he wasfrom Fairy Tail. However, he ended up saving Lucy when he fought Bora.
He isn’t the type of protagonist who helpsothers just because they are in need. You showed what was important to him inyour own way, even though he appeared to help Lucy because she was in trouble.
That was all that I drew in the firstchapter. (laugh)
Is there anything else you have to sayabout Natsu?
There are minute things, but… Natsudoesn’t have any monologues, and is someone who reveals all his thoughtsthrough his actions. Thus, there isn’t really anything important that I haveleft to say about him. 发布于 2018-08-23 11:59:13

尐の儍苽：On the guild
There are many characters.
The characters who had names were countedbefore, and there were more than 300 of them.
That was done 2 to 3 years before this,and it seems like the final character count exceeds 400. Can you remembereveryone?
That’s impossible (laugh). Variouscharacters appeared in the penultimate chapter, and I couldn’t remember howthey’re supposed to look like.
(laugh)
I thought that I would just go ahead anddraw them since they’re my characters after all, but when I looked over themlater they were completely different from how they’re supposed to look like.(laugh)
The number of characters will increase nomatter what due to the nature of the manga. If a guild appears there will bearound 10 more characters.
I wanted to draw many characters from thestart, and I thought “I’ll draw as many characters as I like!” when theserialization first began. However, at the end, I wondered why there were somany characters when I was drawing the colour page with all the charactersgathered together. You reap what you sow, but it was fun. It was trulywonderful. (laugh)
Did you want to draw a guild right fromthe start?
I wanted to draw a group of people, orperhaps I should say a team. I wanted to draw something like a gathering ofpeople or a community. I wanted to convey the enjoyment that comes from havingvarious people around.
The guild members seem fun to be around.
Right. It’s difficult to put in words, butI’ve always drawn things like bonds and friendship in my manga. I touched on itmore deeply in Fairy Tail as compared to RAVE.
Fairy Tail gives the impression of aclassic shonen manga, but it was actually a fantasy battle manga at the start.
There were many comrades right from thestart.
Don’t you normally gain more friends fromfighting enemies or meeting people during events?
There were challenges that happened in themanga, but that’s the kind of world I wanted to show.
They are nearly all defensive battles. Ithink it’s something revolutionary.
Really?
The protagonist usually wants to become acertain type of person, or has something he wants, and he fights for thatreason. However, Natsu already has all that. He has friends, a home, andenjoyable days.
That’s why he only fights to protectthese. He gives his all when it comes to protecting these things. Natsu hasthese things right from the start, and they are irreplaceable.
I thought that the guild would head toAlvarez at the end, but they ended up returning to the guild, and it became adefensive battle once again.
I wanted the final battle to happen withinthe guild. It was something that I had decided early on.
The enemies gradually became greater andmore powerful but your stance never changed till the end.
It’s about protecting your comrades. Inever intended to change that. (laugh)
It’s difficult to draw a manga that’sfilled with the protagonist.
People who are motivated are unique.
Wasn’t it difficult to move the storyforward? How did you get things moving along smoothly?
It’s a mystery.
You make it sound it it’s somebody else’saffair. (laugh)
Now that you mention it, I hard a hardtime with the storyboard at the beginning. It showed how great and interestingthe bonds between an existing group of friends are, and that required layingout a framework.
Can you give more details?
The second chapter is easy to understandas an example. The first chapter describes how a Fairy Tail mage is like, andthe second chapter shows what kind of guild Fairy Tail is.
I see.
You can’t avoid the characters when itcomes to a guild, and thus I had to show them in the second chapter. That wouldconfuse the reader. However, I can’t go on to depict the guild, comrades, andbonds if I don’t do that. That’s why Makarov appears as the guild master when abrawl is about to break out. He is, in a way, a symbol of the guild. The guildis full of reckless members, but there are instances where everyone shares thesame point of view. This was the impression I wanted to give when I was drawingthe chapter. However, it is difficult for the readers to follow along with justthat, and thus Lucy makes her appearance.
Lucy?
Lucy shares the same point of view as thereader. Her reactions are that of someone who comes into contact with the guildfor the first time, making it easy for the readers to get into the story. Inaddition to “the members of Fairy Tail”, the presence of “the mediatorMakarov”, and “Lucy, who overlooks what’s happening” helps to put everythingtogether for the readers, making it easy to read.
I see, it had to be done that way.
“FT” couldn’t have been realized withoutLucy.
On Lucy
Lucy’s monologue always appears at thebeginning of each part.
Lucy has been the core of the story of“FT” right from the start. No matter what type of characters or complicatedworld views appear in the manga, Lucy is by the reader’s side. She doesn’tunderstand the things that the readers don’t understand, and she says it out.
But there are many manga where the maincharacter takes on the monologues…
It’s impossible for Natsu (laugh). Natsuis a character who doesn’t have any monologues, and he cannot explain things ina manner that strikes a chord with others.
Lucy does seem like she views things froma third party standpoint.
She’s the newest person to join the guildat the beginning of the manga, and thus, she feels a little like an outsider.Doing the monologues became her role in the end.
Editor: Lucy said “I wouldn’t be who I amtoday if I never met [Natsu] and Happy” in the final chapter. It would be greatif that also became the reader’s thought. After all, Lucy is the voice of thereader.
Lucy’s monologue, which I had written in arectangular box, became the meta at the end. It’s something really small, butit was something that I wanted to do in the final chapter. 发布于 2018-08-23 11:59:13

尐の儍苽：长访谈 分3个part
原文地址：
*://thefairystales.tumblr*/post/163476760647/mashima-hiro-long-interview-translation-part-1
*://thefairystales.tumblr*/post/163520702392/mashima-hiro-long-interview-translation-part-2 *://thefairystales.tumblr*/post/163748363157/mashima-hiro-long-interview-translation-part-3 发布于 2018-08-23 11:58:58

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